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The Killer (play) : ウィキペディア英語版 | The Killer (play)
''The Killer'' ((フランス語:Tueur sans gages), sometimes translated ''The Killer without Reason'' or ''The Killer without Cause'') is a play written by Eugène Ionesco in 1958. It is the first of Ionesco's Berenger plays, the others being ''Rhinocéros'' (1959), ''Exit the King'' (1962), and ''A Stroll in the Air'' (1963). ==Plot== In ''The Killer'', Berenger, Ionesco’s downtrodden everyman, discovers an ideal "radiant city". The elation Berenger feels in the city of light is cut short by the discovery that the city is host to a killer who drowns his victims in a pool after luring them there by offering to show them a "picture of the colonel". Berenger leaves the radiant city after Dany, a woman he falls in love with instantly and believes that he is engaged to, is murdered, and he spends much of the play tracking down the killer. At the end of the play, he encounters the killer, a small man and by all appearances Berenger’s physical inferior. In a long climactic speech, similar to the speech at the end of ''Rhinoceros'', Berenger tries to convince the killer that murdering is wrong, using multiple arguments and justifications—ranging from sympathy to patriotism to Christianity to nihilism. Eventually he comes to the conclusion that there is no hope and that it is useless to try and dissuade the killer. It is unclear whether Berenger actually dies at the end of the play. He appears in several other plays, and whether these occur before or after ''The Killer'' is uncertain. Of course, factual contradiction is one of Ionesco's most common themes, and several other details about Berenger contradict other plays (most glaringly perhaps being ''Exit the King'', in which Berenger is a dying king).
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